“We feel growing unease when people misuse the freedom we have here, even though they came to this country because of this freedom. These people do not want to adapt, they reject our habits and reject our values; harassing gays, catcalling women in short skirts and calling regular Dutch people racists. I definitely understand the people thinking: If you reject our country so fundamentally, I'd prefer you to leave. I have that feeling too. Act normal or go away.”
- Mark Rutten, Current Prime Minister NL
In Mark Rutte’s text, ‘normal’ is an attempt to unite the country behind a shared self-image. But it is also a means to cast away what is not considered normal. In his case, the immigrant. ‘Normal’ becomes a social and bodily orientation, given that some bodies will be more at home in an environment that is orientated around being Dutch.
OBJACT consists of domestic objects, acting or objecting to the concept of normalization.
By the use of language, I reveal the properties we have collectively attributed to objects and how these properties can generate different politics of support. I want to show that, for the past centuries, ‘the abnormal’ has always been present in the comfort of Dutch social life, it just wasn’t supported.
Normalness is about our capacity to use objects, how they are within reach as objects we do things with. The OBJACTS start demonstrating ‘the normal’ to ourselves. Not because it teaches you what it must be like to be ‘abnormal’, but because it might estrange you from the comfort of the familiar.
:EEN LIJK IN DE KAST
To the ‘normal’ reading of colonial history.
To show, to hide and to keep things. A cabinet simultaneously reveals and conceals. The Dutch cabinet is the guardian of secrets and pride of Dutch treasures, valua- bles and personal archives.
This OBJACT questions the Dutch reading of history by retracing the colonial residue engraved within the cultural object that is the cabinet.
Dutch cabinets are objects that narrate how Dutch domestic life has been entangled with the colonial project, being made from tropical wood and containing heroic, stolen, trinkets and treasures from Indonesia, India, Ghana or South Africa.
This cabinet shows that for the past four centuries, elsewhere has always been present in the comfort of Dutch social life, but we just ordered and classified it in such a way that distortion would occur.
: OM TAFEL ZITTEN
Table & Chair
To the gathering of ”normal” bodies.
The table is assembled around the support it gives. It encourages sedentary, stable activity and the gathering of bodies.
This OBJACT literally brings your position on the table. It shows that being normal is about the support that bodies get.
To be normal is to be comfortable in your seat: the seat supports your body and the position it takes up at the table. Being “abnormal” is to be unseated, or being seated but not getting the support of the table. Who has always been able to have a seat at the table?
Normalness is about our capacity to use objects, how they are within reach as objects we do things with. To take up space is to be given a seat at a table, which allows the body to be occupied in a comfortable way.
:ONDER HET TAPIJT VEGEN
To the Dutch tolerant, progressive self-image.
Carpets were originally reproductions of gardens symbolizing the whole world that comes to enact its symbolic, happy, universalizing perfection. It represents a harmonious whole. A carpet can cover up the abnormal; things you rather don’t face.
This OBJACT objects to the use of progressiveness, the picture of a harmonious whole, in order to brush off claims of racism, sexism, homophobia ...
The Dutch like to think that intolerance of the abnormal is happening, but not so much in the Netherlands. We see ourselves as a progressive country, but in reality, the abnormal is still very much under pressure on a day to day basis.
What has been underneath the carpet, is starting to flourish, breaking open the harmonious cover-up.